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"РФПЛ"(Российская футбольная Премьер-Лига)Чемпио

"РФПЛ"(Российская футбольная Премьер-Лига)Чемпио

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Чемпионат России по футболу.

New World Revolution. The New World Revolution is led and produced by Austrian native h3rwig Maurer (a.k.a. Agent H), the charismatic Venice Beach-based multi-media artist, whose eclectic career continues to morph and transform across a wide range of territories. Recent accomplishments include an Academy Award nomination for his sound design work on Mel Gibson’s epic Apocalypto, a nomination for Best Original Score on the Fuel TV road flick Zen & Zero in Park City/X-Dance, his original photography being showcased alongside works of Dennis Hopper, Picasso, Basquiat and Yoko-Ono at Lladro Gallery in Beverly Hills, and the portraits of his peer Daniel Pinchbeck (hailed as the modern day Timothy Leary by Rolling Stone Magazine) for his recent book “2012 – Return of Quetzalcoatl”. New World Revolution is a multimedia organization based in Los Angeles with an artistic mission of propagating survival information for the new millennium. The front of the organization manifests as an alternative space rock group. Wall-of-sound fuzz guitars meet electronic production. Danceable beats and psychedelic sonic layers carry futuristic lyrical messages, kick-starting the listener into experiencing realms that lie beyond the visible.

New World Revolution

«Манчестер Юнайтед» | «Manchester United FC». Для всех, кто болеет за Manchester United - самый великий клуб в мире!
Take me home, United Road
To the place I belong
To Old Trafford, To see United
Take me home, United Road

«Манчестер Юнайтед» | «Manchester United FC»

Фанаты FC BARCELONA и Фанаты FC CHELSEA. Информация о клубе
Адрес: CFC, Fulham Road, London, SW6 1HS
Прозвища: Пенсионеры, Синие
Год создания: 1905
Стадион: Стэмфорд Бридж
Вместимость стадиона: 41 841
Размеры поля: 103 м × 67 м
Главный тренер: Карло Анчелотти
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Фанаты FC BARCELONA и Фанаты FC CHELSEA

AUTOMAT. Arbeit, Färber, Zeitblom. These three musicians have been collaborating under the name Automat since the end of 2011. Their debut album (out April 2014) features Lydia Lunch, Genesis Breyer P-Orridge & Blixa Bargeld. It's a Berlin affair.
Just to untangle the threads: Jochen Arbeit, the guitarist who came to world prominence with Die Haut and Einstürzende Neubauten; Achim Färber, a sought-after drummer with the likes of Project Pitchfork, Prag or Phillip Boa; and finally the bassist zeitblom, known from Sovetskoe Foto and through his award winning radio play works, especially in collaboration with author/publisher Michael Farin, with whom the piece Kyffhäuser/Unternehmen Barbarossa/Träume vom Tod! was musically adapted by Automat for the Berlin Volksbühne in 2012.
Automat, a constant groooove. An album, as you would imagine flying to be if you have never flown: a steady glide from leaving the apartment to reaching the destination. No waiting, no queuing, no turbulence; a smooth check-in, easy border controls, unhindered boarding. Take a seat and take off.
Automat tells of Berlin, once a city with four airports. Tempelhof makes the start: reverberating cowbells, an urgent bass sequence, chopped meanderings, an evil recollection that reminds of THF in its heyday. Schönefeld, where the guitars flange and the delays bounce. Gatow swings to the Ebow. And Tegel. No question. Tegel grooves most elegantly. We would not have expected anything less.
Three narratives – of a lake with a menacing name, of an enchanted mountain, of strange roads – feature within Automat's otherwise instrumental epic. Three guests, three additional voices and storytellers to speak to us: Lydia Lunch, Genesis Breyer P-Orridge and Blixa Bargeld. Chimera of Transgression. Guests, yes, but actually they are much more: old acquaintances, good friends, trusted colleagues. You can hear how they work their way into the pieces without taking them over, but lending that certain something and thus contributing to the idea of a band. Lighthouses.
Automat is naturally the sum of its parts, and all of them have learned and taught during the post-punk era. One may recall the time the mid-1980s, when the UK industrial-oriented artists discovered dance music. Automat docks onto that – sawing, ringing guitars and dub-reggae bass lines meet in empty hangars with harsh, slow breakbeat rhythms garnished by ticking percussion instruments from the most exciting and remote places on earth – and takes the dance into the present day.

Michael 'Patches' Stewart. Born in New Orleans - the Birthplace of Jazz
If you have heard Michael Patches Stewart play his instrument, it will come as no surprise to learn he was born and raised in the city where Jazz was born — New Orleans, Louisiana. He fell in love with the trumpet at a very young age, but did not have the opportunity to study music until he reached middle school.
Once he started lessons, he pursued music with enthusiasm and discipline not often seen at this young age. By the end of his last year of middle school the music director at St. Augustine High School — a private school with a sterling reputation for the consistent high quality of its band — had taken notice. Patches was awarded a full scholarship and the following year he joined the ranks of St. Augustine's Purple Knights.
It was during his high school years that he acquired the nickname Patches – from his habit of following the then–current fashion trend of wearing patches on blue jeans. Undeniably talented, his focus on mastering the trumpet prompted him to seek opportunities to hone his skills outside the high school classroom. This included additional music lessons at a local college and of course, listening and learning from the incredible pool of local talent found throughout New Orleans.
Gigs in local bands followed, providing early stage experience playing school dances and small clubs; even the occasional road tour during summer vacations. His reputation around New Orleans grew and at the age of 16 he was offered an opportunity to fill-in during a session — his first time in a recording studio. It turned out to be the horn section session for LaBelle's international hit Lady Marmalade.

Michael 'Patches' Stewart