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CHELSEA FC. Русскоязычный Клуб Болельщиков ФК Челси №1
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Информация о клубе
Адрес: CFC, Fulham Road, London, SW6 1HS
Прозвища: Пенсионеры, Синие
Год создания: 1905
Стадион: Стэмфорд Бридж
Вместимость стадиона: 41 841
Размеры поля: 103 м × 67 м
Главный тренер: Вакантно
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Ссылки для Вас:
http://chelseafc.com
http://chelsea.com.ua
http://chelsea-fc.ru
http://chelsearus.com
http://fc-chelsea.net.ru/
http://www.sports.ru/tribuna/blogs/fc_chelsea/
http://chelsea-blues.ru/

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Redlight King. There’s stubborn. And then there’s Kaz stubborn. The singer-songwriter of Redlight King refused to take no for an answer when music business suits denied his request to sample a Neil Young classic, pressing relentlessly until he got a “yes.” More importantly, Kaz held on to vanquish the inner demons that nearly wrecked him several years ago. Now, with “Something for the Pain,” Redlight King’s redemptive Hollywood Records debut album, Kaz relives both his darkest days and the turn-around, when he clawed his way back to the light.
A latticework of rock and hip hop, the album conjures old school sounds, thanks to Kaz and producers Wally Gagel and Xandy Barry, as well as the good vibes at Hollywood’s TGG Studios (now called Wax Studios, whose alums include Jimi Hendrix, the Doors and, yes, Neil Young). “I’m all about mixing in the old sounds,” Kaz says, “and giving it that warm, analog feel. There is sampling, hip hop grooves and beats, but I also wanted good old fashioned meat and potatoes: bass, guitar, drums.”
The sound may be warm, but his songs revisit the cold climate of Kaz’s native Hamilton, Ont., and the even chillier emotional landscape of his lost years. In the astonishing hip-hop flavored debut single, “Old Man,” Kaz offers a reluctant salute to his father, a larger-than-life figure who taught school by day and raced stock cars at night (“The life he demanded/Kept us all in a struggle/When he ruled with his fist/It kept us all out of trouble”). “No father issues here,” says Kaz with a laugh.
Hard-edged rockers like the blustery “Bullet in My Hand,” “The Underground” and the title track take listeners on a vertical drop into an abyss Kaz once knew all too well. “Most of it was written while the feelings were still there,” he recalls. “My songs are written about real issues, real experiences. I like to bring listeners in deep, and give them time to look around.”
Kaz starts “digging six feet up” (as he puts it) on songs like “Comeback,” “Built to Last” and the irresistibly melodic “Driving to Kalifornia.” Collectively, they describe the hard labor of rebuilding a life, then hitting the road, with the wintry east receding in the rear view mirror. The album ends with the acoustic-flavored “Past the Gates” and “When the Dust Settles Down,” the former a hope-filled forward glance, the latter a last look back. He may be whistling past the graveyard, but it’s such a pretty tune.
Kaz grew up in Hamilton, Ont., once a booming steel center on the shores of Lake Ontario, and now struggling in the global economic meltdown. He grew up in middle class home where his parents “struggled to pay the bills.” Like his dad, Kaz loved cars and drag racing (Redlight King is named for the light “tree” that signals the start of a race). As he grew, music also began to take hold. He loved Queen, Springsteen, Dylan and Lennon no less than A Tribe Called Quest, Rakim, Treach and Nas. He started writing early on, recording his first track at age 16. But in his teens, music took a back seat to judo. He was good enough for a shot at Canada’s Olympic training center to prepare for the 2000 Games. But he didn’t make the team -- a blow that would take a toll later.
Meanwhile, Kaz returned to music, landing a deal and releasing an album in Canada. That led to a Juno Award nomination for Best New Artist, but the affirmation wasn’t enough to halt a steep slide. “You know why it’s happening,” he recalls of his struggle with substance abuse. “You don’t know where the end is, you’ve lost all rationality. You’re borderline insane. But in the end, you make a decision to start again, and the only way was to forgive myself for my mistakes.”

English Book Club The Green Dragon. Welcome to our book club The Green Dragon!
If you love books, English, good company, interesting stories and all this together I bet you would like to stay here long time!!! Because here you will find all of it!!!
Let me tell you how our book club works.
It's all begins with choosing the book! -
In a middle of each month we put forward a poll of 5 different books and you can choose which one you prefer more.
When we have a winner, on first day of each month we all (separately, wherever we are, at home, on the road, at work or at school) start to read the book during this month, the way we like to do it - slow or fast, lying or sitting, or standing, with or without tea. as you like (it is important !!!).
In our group during each month we post some quotes from the book of the month, or some facts about it, or about the author and a lot of other interesting things. So, keep an eye on our wall.
Finally, in the end of the month we have a meeting, where we can share our opinions about the book, discuss, argue, or maybe just to listen others, what they think about story, characters and etc. etc...
So, if you will be interesting in all of this - Welcome!!!
* As you've probably noticed we read book in English, but if it's difficult to you and you just want to participate - please, do it ! You can also read in Russian.
**All synopsis of the books under the photo

English Book Club "The Green Dragon"

The Menahan Street Band Group. The Menahan Street Band is a collaboration of musicians from Sharon Jones & the Dap-Kings (Dave Guy, Homer Steinweiss, Fernando Velez, Bosco Mann), El Michels Affair (Leon Michels, Toby Pazner), Antibalas (Nick Movshon, Aaron Johnson) and the Budos Band (Mike Deller, Daniel Fodder), brought together by musician/producer Thomas Brenneck (Sharon Jones & the Dap-Kings, Budos Band, Amy Winehouse) to record hits in the bedroom of his Menahan St. apartment in Bushwick, Brooklyn. With influences reaching beyond the funk/soul/afrobeat architecture of their other projects into the more ethereal realms of Curtis Mayfield and Mulatu Astatke, the Menahan Street Band creates a unique new instrumental soul sound that is as raw as it is lush. Their debut album, Make the Road by Walking will be released on Dunham Records, Brenneck’s new imprint of Daptone Records, a joint venture devoted to bringing the Menahan Street sound from Brenneck’s bedroom out into the world. The album is marked by eerily quirky arrangements, featuring vibes, horns, piano, organ, percussion and even a strange bling sound that Brenneck creates by tuning and plucking the strings of his guitar on the wrong side of the bridge. However, it is not the textures themselves that make the new sound of Menahan Street so exciting, but rather the way the sounds are incorporated into the heavy rhythms and bold melodies of the compositions.

The Menahan Street Band Group