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8th Hour. Described as “The Foo Fighters meets The Chili Peppers meets Led Zepelin” by one publication, 8th Hour’s unique setup of two singer/songwriters makes for a varied, refreshing sound labelled as Indie on Red Bull, and is a composition which leaves their London audiences wanting more. It seems to be their familiarisation with the British indie sound and the inquisitiveness of how it has been blended with American Rock that keep the fans coming back for more.
As with so many bands before them, 8th Hour’s infancy began at university where singer/songwriter Daniel Marcus Grant (Vocals /Rhythm Guitar) met likeminded Stephen Moss (Vocals/Lead Guitar). A fledgling friendship was formed and following a chance meeting a few years later, the decision was taken to join forces and form a rock band. With this in mind, the pair needed some extra hands, sticks and strings. Despite his infatuation with Hardcore Metal, South African Jason ‘Monkeyboy’ Woodward (Bass) joined to transform the duo into a trio. Jamming sessions began, but it wasn’t long before they realised the necessity of a drummer to complete their sound. Kyle ‘The Kid’ Kokott (Drums), a fellow South African, joined to complete the band.
The name 8th Hour came about because the band had only practiced together for 7 hours prior to their first gig. The opening on-stage statement by Dan that ‘This is our 8th Hour!’ stuck.
Despite forming in late 2007, the band has already racked up some impressive venues. Having played and become regulars in bars and clubs in Central London, the band’s highlight came in the form of an invitation from award-winning South African singer/songwriter Karma to support her on her UK Tour. The Half-Moon in Putney provided the perfect setting for these young rockers to deliver a gig which has resulted in a fast-growing fan-base. It is here in South London that regular gigs have lead to a firm fan base that is now extending into Essex.
8th Hour are currently recording their first CD at Soundlab Studios Essex under the watchful eye of James Horwood (owner of Soundlab and former A&R scout and engineer at Abby Road Studios).
This is but the beginning!
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Toxic Bonkers. Grindcore/Hardcore/Death Metal from Poland
Toxic Bonkers was set up in 1993 by Marcin Klimaszewski (Klimer) and Konrad Sobierajski (Sobieraj). Several reshuffles formed the first lineup with Klimer, Sobieraj, Dzuma (bass) and Majowy (vocals). In 1994 Toxic Bonkers recorded their first demo, which included their first numbers such as Nazi fuckers, Apatia or Klamstwa w imie boga. The recording had been sold in an impressive number of 4000 copies, which effected in numerous concerts, interviews and reviews and an increase of the band's popularity. For over two years Toxic Bonkers had been showing up at European music scene. In 1996 Dzuma was replaced by Grelka (so-called Mlody due to his young age). With this lineup the band recorded their first full-length album If The Dead Could Talk, released by Italian S.O.A. Records in 1997, including such numbers as Goodness Destroyed, Black Punx and XXI Wiek. The cassette was also released by a Polish label ? Pop Noise from Lódz. It sold out in the similar quantity to Demo, which resulted in Toxic Bonkers' appearance in mail-order selling chains all over the world and also numerous Polish and foreign compilations. Right after the release the band decided to replace the vocalist Majowy with Grabarz, for their music to become more grind-sound due to his growling. The new lineup (Klimer, Sobieraj, Grelka and Grabarz) recorded their second LP called Blindness, which included both new songs and numbers from Demo re-arranged in new, more merciless, brutal versions. Blindness, containing of 17 numbers, appeared in 2000 under the sign of a Carnage to fragile ears, feast to the gourmets in Nikt Nic Nie Wie label. Just before the recording was released, Toxic Bonkers decided to reinforce the lineup with a second guitar player to make their music more diverse and sophisticated. Thus, Rafal Przybylak (Mumin) ? a new, ambitious, metal-based guitarist joined the band. Thereby, Toxic Bonkers took another step towards their music progress. In 2000, as the Blindness appeared, after a long struggle, a fatal disease took away Sobieraj (R.I.P.) - the band's core and spirit. Toxic Bonkers' future was looking dim, as Klimer, Konrad's best friend, had been regarding to finish up with the band. Nevertheless, after many moments of doubts and hours of reflection, they managed to overcome the bad times. A new guitar player, Mumin's apprentice, Bartek Wojtysiak (Sme) appearance was like a fresh breeze in the band's ranks, that gave it a drive to continue playing. However, not everything played along with them and soon Grabarz left Toxic Bonkers, which held the new album plans for some time. In 2002 Toxic Bonkers had been reinforced by a young, 17-year-old vocalist, Kuba Ziomkowski (qboot). In this new lineup, the band worked hard to record a new CD, which was partly Sobieraj's job. 10 new numbers were finally recorded in PJ Reda Records label in 2003. The band gave several concerts in Poland and in autumn 2003 they hit the road with gore grind masters Dead Infection and death metal group Abysal, giving 10-gig tour, named the Grind Tour De Pologne III. Enthusiastic reactions of the public become the beginning of more Toxic Bonkers concerts both in Poland and abroad. In the late spring of 2004 the band with their new stuff reached Selfmadegod Records label from Biala Podlaska and on September 11 the new album Seeds of Cruelty was released. The CD occurred a great success regarding thousands of copies sold and made a big mess in Polish and European music. Hype and havoc the album caused, together with numerous enthusiastic international reviews and interviews opened the gates of new concerts, incl. Metal Heads' Mission in the Ukraine in August of 2004 and 2005, Mass

Ex-Players FC CHELSEA|Экс Игроки ФК ЧЕЛСИ. Самые лучшие игроки.
★★★★★★★★★★★★★★★★★★★★★
Инфopмaция o клyбe:
Aдpec: CFC, Fulham Road, London, SW6 1HS
Пpoзвищa: Пeнcиoнepы, Cиниe
Гoд coздaния: 1905
Cтaдиoн: Cтэмфopд Бpидж
Вмecтимocть cтaдиoнa: 41 841
Paзмepы пoля: 103 м × 67 м
Глaвный тpeнep: Кapлo Aнчeлoтти
★★★★★★★★★★★★★★★★★★★★★

Ex-Players FC CHELSEA|Экс Игроки ФК ЧЕЛСИ

To Speak Of Wolves. Gage Speas – Vocals
Aaron Kisling – Guitar
Seth Webster – Bass
Corey Doran – Guitar
Phil Chamberlain - Drums
From the very beginning, the member of Greensboro, North Carolina's TO SPEAK OF WOLVES seemed to have been bound together by something bigger than themselves.
All members of established touring bands, they gravitated towards each other through the most unlikely of circumstances. A chance meeting at the Cornerstone music Festival, a phone call in a bowling alley, a recommendation from a local video producer – one by one, the members fell in line according to some cosmic script. Now, newly signed to Solid State Records, TO SPEAK OF WOLVES are preparing to take their fated message to the masses in the form of their debut album, Myself < Letting Go.
Mixed by metal mastermind Jason Suecof (All That Remains, August Burns Red, Trivium), Myself < Letting Go careens wildly between road-rash riffage and soaring, arena-worthy choruses. Rick Jacob's vocals hammer and haunt, vaulting seamlessly from sky-high melodies to visceral screams. “It’s a good mix between catchy choruses and heavy parts, says guitarist Corey Doran of the album. It’s also very raw and dirty sounding, but still clean.”
That dichotomy – the polished sound of seasoned musicians, the unhinged rage of a hungry, unproven band – is part of what makes TO SPEAK OF WOLVES so compelling. The band has toured relentlessly since just a week and a half after its inception, hitting the road with some of the most recognized names in its genre, from Emery to Underoath (fronted by WOLVES drummer Phil Chamberlain's brother, Spencer), but has refused to be grandfathered into the big leagues. This is a hardworking band that is going to earn every accolade and every fan by fighting like the savage beast it's named after.
Together with a common vision and ethic, the members of TO SPEAK OF WOLVES are ready to show the world exactly who they are and what they stand for. “Our band is an expression of our beliefs and attitude toward life,” says Jacobs. The gentlemen in this band are a microcosm of the world we surround ourselves in. We write with passion that expresses ourselves perfectly.
Chamberlain furthers this sentiment. “We’re not trying to change the world, but we are trying to leave our mark on it, and we’d like for that to be a positive one, he explains. There are a lot of great things about this life. It’s way too easy to focus on the negative things, and we hope if you come to one of our shows, you have a good time, enjoy yourself and the people around you. That’s what it’s about.”
With the release of Myself < Letting Go, a band with fierce and formidable talent enters the national scene; TO SPEAK OF WOLVES are ready to sink their fangs into music as a way of life. “I knew this band had a good chance at being successful when I knew everyone in the band would do whatever it took to make it successful,” says bassist Will McCutcheon. “You can’t ask anything more of your friends than that.”
ВНИМАНИЕ УЧАСТНИКАМ ГРУППЫ!!!!! В ГРУППЕ ЗАПРЕЩЁН МАТ, ПУБЛИЧНЫЕ ОСКОРБЛЕНИЯ ЛЮБОГО ИЗ УЧАСТНИКОВ ГРУППЫ!!!! ЗА ЛЮБОЕ НАРУШЕНИЕ БУДЕТ ВЫДАВАТЬСЯ БАН!!!!! ПРИЯТНОГО ПРОСЛУШИВАНИЯ И ОБЩЕНИЯ!!!!!

To Speak Of Wolves

============================== ★☆★☆♫♫Musiq Soulchild♫♫☆★☆★ ==============================. Musiq Soulchild Taalib Johnson (born September 16, 1977) better known by his stage name Musiq Soulchild or Musiq is a soul artist whose style blends contemporary R&B, soul, funk, alternative, blues, jazz and hip hop.
Musiq is the eldest of nine children. “I always saw myself as the black sheep of the family; I was always doing my own thing.” At an early age, Musiq decided he would discontinue his high school education, which proved to make his road to success much more difficult I really wish I stayed, cause even though I didn't like it that much I still could've taken advantage of the many resources that being in school has to offer.” When Musiq was 17 he left home to live life on his own terms, finding himself having to depend on the kindness of friends, and sometimes strangers, as he struggled with everyday survival. Man, I did what I had to, I slept on couches, the bus, the train, the park, whatever, it didn't matter, I just knew things wasn't gonna be that way forever.” It was during that time Musiq started to build a reputation for being musically gifted, beat boxing for MC's, free styling on the open mic circuit, scatting at a jazz club, or just performing a cappella in the streets of Philadelphia, which is where he got the name Musiq and later he added Soulchild which is intended to respect and represent the legacy and traditions of past great soul stars.

============================== ★☆★☆♫♫Musiq Soulchild♫♫☆★☆★ ==============================